August 23, 2023

Rapper’s Delight: Hip-Hop’s Seminal Influence on the World of Art

With hip-hop celebrating its 50th anniversary this week, now is the perfect time to explore how the worlds of rap music and art first came to collide in the 1970s, and why the synergy between these two expressive forms remains as strong as ever today.

As hip-hop reaches its 50th anniversary milestone, at Maddox we’re reflecting on the remarkable journey of a cultural phenomenon that was born on the streets of New York and has evolved into a global cultural force, transcending boundaries and resonating with millions.

The genesis of hip-hop is rooted in the Bronx, New York, during the tumultuous 1970s. This era marked a time of economic hardships, social inequality and urban decay. Amidst this backdrop, marginalised communities found solace and empowerment through artistic expression. The four fundamental pillars of hip-hop – rapping, DJing, breakdancing and graffiti – served as outlets for communication and self-expression.

Graffiti emerged as a powerful artistic form within hip-hop culture, with young artists using public spaces as their canvas, creating vibrant works that told stories of resilience and resistance. The streets became their galleries, and the art reflected their struggles, aspirations and communal stories. The crossover between graffiti and hip-hop music was a natural progression, as both art forms shared the same spirit of rebellion and creativity.

Jean-Michel Basquiat, Rome Pays Off, 1984/2004, Edition of 85, Screenprint

The Convergence of Hip-Hop and Art

The 1970s and 1980s witnessed an organic coming-together of art and hip-hop. Pioneering artists like Keith Haring and Jean-Michel Basquiat recognised the cultural significance of hip-hop and actively engaged with its practitioners. Haring’s iconic “Crack is Wack” mural and Basquiat’s collaborations with Blondie are just a few instances of artists embracing the raw energy of hip-hop to amplify their own messages. This era laid the foundation for the enduring relationship between hip-hop and the art world.

In 1980, Jean-Michel Basquiat starred in the film “Downtown 81” as a struggling artist, mirroring his real-life situation at the time. Featuring many hip-hop visuals, including a scene where Grandmaster Flash & The Furious 5’s front man, Melle Mel, rhymes over an instrumental of Blondie’s “Rapture”, “Downtown 81” was a perfect reflection of New York’s burgeoning underground scene at the time, with proceeds from the film enabling Basquiat to buy his first real art supplies and rent a studio.

Two years later, “Beat Bop”, a rap record by Rammellzee and K-Rob, was released on Basquiat’s Tartown Records. With a limited run of 500 copies, this now-legendary hip-hop record epitomised the experimental ethos of early 80s downtown New York, with the iconic artwork for the record cover, designed by Basquiat, even more sought-after than the vinyl itself.

Keith Haring, Lucky Strike (L.P.78), 1987, Edition of 80, Screenprint

A Collaborative Canvas

In the modern era, the fusion of hip-hop and art has taken on new dimensions with the rise of music videos and album covers, with rappers like Kanye West, Kendrick Lamar and Drake using them as powerful forms of visual storytelling.

Between 2007 and 2010, Kanye collaborated with renowned Contemporary artists Takashi Murakami, KAWS and George Condo on a series of iconic album covers, while in 2021, Drake commissioned the blue-chip artist Damien Hirst to create the artwork for his “Certified Lover Boy” album. Kanye worked with Murakami again for his animated music video for “Good Morning” in 2008 and on the cover art for his joint album, “Kids See Ghosts”, with Kid Cudi, which was released in 2018.

More recently, art and hip-hop collided in the most unexpected of ways when Stormzy wore a stab-proof vest, designed by the street artist Banksy to reflect the realities of modern urban life, for his headline performance on the Pyramid stage at Glastonbury. Symbolising the interplay between different forms of art and their ability to communicate complex ideas, the vest became a medium for discourse, sparking conversations about youth violence, social inequality and the role of art in fostering change.

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Hip-hop’s Art Collectors

From P. Diddy and Q-Tip to Drake and Pharrell Williams, hip-hop artists have also become prominent collectors in the art world. Jay-Z, who raps about art in his song “Picasso Baby”, is perhaps the best-known rapper-turned-art-collector. His collection, which includes the Jean-Michel Basquiat masterpiece “Mecca” and “Beat Life and Cheat Death”by Damien Hirst, touches on themes that are closely linked to the world of hip-hop, including social justice, race and identity. In collaboration with Gallery Media Group, the successful businessman also founded ArtLife, which provides a platform for emerging artists to showcase their work and links them with potential buyers and collectors.

Jean-Michel Basquiat, Head; Rinso; Per Capita; and Ernok, 1983/2001, Four screenprints in colour on heavy wove paper

As hip-hop celebrates its 50th anniversary this week, it’s clear that the harmonious collision between rap music and art that emerged in the 1970s has evolved into a multi-faceted relationship encompassing graffiti, visual art, music videos and more. As artists continue to challenge norms, tell untold stories and provoke thought, the interplay between these two expressive forms will undoubtedly shape the cultural landscape for generations to come. Just as the pioneers of the past ignited a movement, the creators of today have the power to further elevate this enduring connection, ensuring that the journey of hip-hop and art remains an inspiring narrative of passion and progress.